I came to photography through cinema — pausing films to study how a scene was lit, then going out to try and steal it. That habit never left. Today I split my time between stills and motion, working with musicians, independent brands and creative studios.
I keep the crew small and the process open. You'll see references before the shoot, frames during it, and an edit that's been argued over properly before it reaches you. I'd rather make one picture you'll still love in ten years than fifty you'll forget by Friday.
